Category: Photographers

  • Street Photographers Foundation Awards 2025 Winner

    Street Photographers Foundation Awards 2025 Winner

    SINGLE IMAGE WINNER

    Tavepong Pratoomwong

    The Smooth Criminal

    Tavepong Pratoomwong -- The Smooth Criminal

    SERIES IMAGE WINNER

    Edwin Carungay

    A Great Divide offers a warm and candid glimpse into several beloved community celebrations within Oaxaca, México, where tradition and devotion blend through Catholic and indigenous practices. The zancudos, or mosquitoes in English, are stilt-walking performers who parade and dance through their community, their towering figures and long shadows resembling the slender legs of mosquitoes are excitedly celebrated. The priestly figures of Santo Tomás Jalieza are a rebellious form of adoration pursuing community members to douse with “holy” water and ash. The masquerade and devilish costumes significant to some of these communities lends to more of the mischievous and unexpected. From early afternoon, and late into the sunset, these community members catapult the spirit and energy of pre-Lenten traditions cherished for generations, and igniting the passion to practice it for those yet to come.

    JURORS’ PICKS

    Argus Paul Estabrook --- Word on the Street

    Argus Paul Estabrook

    Where Do We

    France Leclerc -- Full Swing

    France Leclerc

    Full Swing

    Isabel Mombaerts -- Kurkuma

    Isabel Mombaerts

    Kurkuma

    Paul Murray -- Untitled

    Paul Murray

    Untitled

    Gerard Roca -- Street Colors

    Gerard Roca

    Street Colors

    Donell Gumiran --- The wall of Burqa

    Donell Gumiran

    The wall of Burqa

    Julio Marchamalo Amado --- Mascaritas

    Julio Marchamalo Amado

    Mascaritas

    Alexandra Avlonitis ---- Fabric Match-min

    Alexandra Avlonitis

    Fabric Match-min

    Edward Butterworth

    Handyman-min

    Jens Martin York Christensen --- Umbrella Eye

    Jens Martin York Christensen

    Umbrella Eye

    Sebastien durand -- Osmosis

    Sebastien Durand

    Osmosis

    Sandra Fine -- Networking

    Sandra Fine

    Networking

    Ji hoon Kim

    Dual realities

  • Mohammad Kalantari

    Mohammad Kalantari

    Explosion of light!
    These are images of people gathered in the city. Sometimes to express joy, sometimes to express sorrow, sometimes to express anger, and sometimes to show solidarity. They’ve illuminated the nights. Flash in photography is often used to reveal, to uncover. But here, a strange form of burning occurs, where subject’s face is obliterated. Here, we’re confronted with people drowned in light, whilst making it difficult or even impossible to identify or recognize any single individual. Here, it seems the light itself has become prominent and accentuated.

    Simultaneously, the city also becomes visible. The city, in fact, is the very fabric that embraces these scattered and refracted lights. At the same time, these lights attempt to make the city explicit, to claim it, and finally to illuminate it. But where is the limit of this ‘illumination’?

    We can imagine a spectrum: from vague and misty to clear and bright, and ultimately, burning, an explosion of light. However, this collection of photos deconstructs and defamiliarizes the word ‘burning’ since in this collection, it becomes a tool for preserving individuals from the terror of the police and militant groups. Recognizing the faces and identities of those participating in these gatherings can be troublesome for them. Without light, they cannot be seen. With light, they can be seen but this could put them in danger. In the moment of explosion, in the moment of faces burning, it’s as if the ‘collective face’ of the people, for a fleeting moment, illuminates the face of the city: a brief, transient moment that becomes the blessing of the art of photography. This is the very face of politics. This is the eternal face of the people in their moment of brilliance.

    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
    ©Mohammad Kalantari
  • STREET PORTRAIT AWARDS 2024 WINNER

    STREET PORTRAIT AWARDS 2024 WINNER

    STREET PORTRAIT AWARDS 2024 WINNER

    Mikhail Tkachevskii

    Big Bog

    USA

    I chose this portrait as the winner because I find interesting the interaction between the city in the background and the wary expression on the boy’s face. To me this kid is a real product of the city.

    Bruce Gilden

    JURORS’ PICKS

    Anna Biret
    Look to the future
    France

    Ilya Niko
    Untitled
    USA

    Lucas Hoffman
    Untitled
    USA

    Tatsuo Suzuki
    Static electricity before the storm
    Japan

    Andrea Klausner
    One Eyed Boy
    USA

    Luis Casadevall
    Habana 11
    Spain

  • STREET BLACK AND WHITE AWARDS 2024 WINNER

    STREET BLACK AND WHITE AWARDS 2024 WINNER

    STREET BLACK AND WHITE AWARDS 2024 WINNER

    Majid Hojati

    Majid Hojati, Iran

    JURORS’ PICKS

    Ana Cichowicz, Germany

    Ana Cichowicz

    Germany

    Michelle Rick, USA

    Michelle Rick

    USA

    Hans Severin, Germany

    Hans Severin

    Germany

    Kenji Wada, Japan

    Kenji Wada

    Japan

    Mehdi Zouari, Oman

    Mehdi Zouari

    Oman

    Roberta Vagliani, Italy

    Roberta Vagliani

    Italy

    Taylor Coble Coble, USA

    Taylor Coble Coble

    USA

    Neil Johnson, Wales, Great Britain

    Neil Johansson

    Wales

    Hakan Biyiklioglu, Turkey

    Hakan Biyiklioglu

    Turkey

    Marina Koryakin, Israel

    Marina Koryakin

    Israel

  • Matt Higgins

    Matt Higgins

    In my work I like to explore the relationships between light & shadow, human & architecture and big & small. I want to capture the instance where these elements most contrast and compliment one another at the same time. These images share a cloud of smoke as a visual motif, dissolving in the air the same way these moments disappear in time.

    ©Matt Higgins
    ©Matt Higgins
    ©Matt Higgins
  • Wenpeng Lu

    Wenpeng Lu

    ©Wenpeng Lu
    ©Wenpeng Lu
    ©Wenpeng Lu
    ©Wenpeng Lu
    ©Wenpeng Lu
    ©Wenpeng Lu
    ©Wenpeng Lu
    ©Wenpeng Lu
  • Tamás Márkos

    Tamás Márkos

    In the hustle and bustle of urban life, it’s easy to overlook the subtle details that make our surroundings unique. “Urban Poetics: Finding Inspiration in the Ordinary” is a photographic exploration that seeks to unveil the hidden beauty and quiet grace of everyday moments in the city. Through this series, I aim to capture the often unnoticed elements that contribute to the rich tapestry of urban life—textures, patterns, fleeting interactions, and the play of light and shadow. This project is an invitation to pause and appreciate the ordinary, to find inspiration in the seemingly mundane aspects of our environment. By focusing on the small and overlooked, I hope to evoke a sense of wonder and curiosity in the viewer, encouraging a deeper connection with the spaces we inhabit daily. Each photograph is a testament to the idea that beauty and inspiration can be found everywhere, even in the most unexpected places. “Urban Poetics” challenges the traditional notion of beauty by highlighting the elegance in simplicity and the artistry in the ordinary. It is a celebration of the city and its endless potential to inspire, offering a fresh perspective on the urban experience. Through this work, I strive to remind us all that inspiration is not a rare occurrence but a constant presence, waiting to be discovered in the details of our daily lives.

    ©Tamás Márkos
    ©Tamás Márkos
    ©Tamás Márkos
    ©Tamás Márkos
    ©Tamás Márkos
    Street Corner
    ©Tamás Márkos
    ©Tamás Márkos
    ©Tamás Márkos
  • Shyang Woei Foo

    Shyang Woei Foo

    In the hustle and bustle of urban life, it\’s easy to overlook the subtle details that make our surroundings unique. \”Urban Poetics: Finding Inspiration in the Ordinary\” is a photographic exploration that seeks to unveil the hidden beauty and quiet grace of everyday moments in the city. Through this series, I aim to capture the often unnoticed elements that contribute to the rich tapestry of urban life—textures, patterns, fleeting interactions, and the play of light and shadow. This project is an invitation to pause and appreciate the ordinary, to find inspiration in the seemingly mundane aspects of our environment. By focusing on the small and overlooked, I hope to evoke a sense of wonder and curiosity in the viewer, encouraging a deeper connection with the spaces we inhabit daily. Each photograph is a testament to the idea that beauty and inspiration can be found everywhere, even in the most unexpected places. \”Urban Poetics\” challenges the traditional notion of beauty by highlighting the elegance in simplicity and the artistry in the ordinary. It is a celebration of the city and its endless potential to inspire, offering a fresh perspective on the urban experience. Through this work, I strive to remind us all that inspiration is not a rare occurrence but a constant presence, waiting to be discovered in the details of our daily lives.

    Ordinary Folk
    Trailbrlazer
    ©Shyang Woei Foo
    The Predator
  • Sami Uçan

    Sami Uçan

    I have been living in Istanbul for a long time and producing street photos. Istanbul stray cats are carefully protected by our people and we respect them. The streets would be very lacking without cats, I can\’t think of Istanbul without cats. They reflect the spirit of the City. It is a part of daily life. It is very enjoyable to take pictures with them on the street, I am happy that it is the subject of my photo. Stray cats are a project that I booked in 2018. In this series photos I sent to the competition, I especially included black cats. Unfortunately, I love them, even though they are considered unlucky in some beliefs.

    ©sami uçan
    ©Sami Uçan
    ©Sami Uçan
    ©Sami Uçan
    ©Sami Uçan
    ©sami uçan
    ©Sami Uçan
  • Johan Jehlbo

    Johan Jehlbo

    This series is taken at the rural markets that occur every summer in some of the small villages in the countryside in southern Sweden. Once bustling with a chaotic mix of vendors, amusement rides, striptease shows, and the occasional brawl among local “raggare”, these gatherings have mellowed into family-friendly outings. Despite these changes, the markets still draw crowds, offering a glimpse into a tradition that bridges the past and present.

    © Johan Jehlbo
    © Johan Jehlbo
    © Johan Jehlbo
    © Johan Jehlbo
    © Johan Jehlbo
    © Johan Jehlbo
    © Johan Jehlbo
  • Fabio Magara

    Fabio Magara

    The processions and representations of Easter Friday in Italy have always had an epic, celebratory and sacral representation. One of the oldest in Umbria is the one in the municipality of Tuoro sul Trasimeno (PG) which has always welcomed numerous visitors and which is particularly evocative thanks to the unique scenery and the great work of the Proloco volunteers. This sequence tells the behind-the-scenes story in an irreverent way, trying to capture the playful climate and complicity that exists among the volunteers who make it possible, while at the same time offering an alternative, ironic and therefore critical vision of a excessively inflated visual identity.

    End of Passion
    End of Deposition
    The Decisive Moment
    Second Thief
    First Thief
    Wait
    Before Passion
  • Marc Täuber

    Marc Täuber

    The Kennedy – A Photo Noir As in a film noir, the Kennedy Bridge in Bonn becomes a stage for dark fantasies in the gloomy black-and-white photographs. With the deep black in my streetphotography based pictures I want to make it impossible for the viewer to escape from the magical attraction of the night. In the style of magical realism, I am not interested in pure depiction of reality, but in using my photographs for the imagination of a story, of something invisible.

    © Marc Täuber
    © Marc Täuber
    © Marc Täuber
    © Marc Täuber
    © Marc Täuber
    ©Marc Täuber
    ©Marc Täuber
    ©Marc Täuber
    ©Marc Täuber