Street Photographers Foundation

Tag: #streetphotographers

  • William Klein Color Photos

    William Klein Color Photos

    William Klein (1926 – 2022) 

    One of photography’s greatest names, Klein passed away two years ago, leaving behind an amazing body of work, from which I already showed you a number of selections. We mostly know him of his bw work, but today, I brought some of his lesser-known color images.

    William Klein was an American-born French photographer and filmmaker noted for his ironic approach to both media and his extensive use of unusual photographic techniques in the context of photojournalism and fashion photography. He was ranked 25th on Professional Photographer’s list of 100 most influential photographers.

    Klein trained as a painter, studying under Fernand Léger, and found early success with exhibitions of his work. He soon moved on to photography and achieved widespread fame as a fashion photographer for Vogue and for his photo essays on various cities. He directed feature-length fiction films, numerous short and feature-length documentaries and produced over 250 television commercials.

    He was awarded the Prix Nadar in 1957, the Royal Photographic Society’s Centenary Medal and Honorary Fellowship (HonFRPS) in 1999, and the Outstanding Contribution to Photography Award at the Sony World Photography Awards in 2011.

    © William Klein
    © William Klein
    © William Klein
    © William Klein
    © William Klein
    © William Klein
    © William Klein
  • Enrico Markus Essl

    Enrico Markus Essl

    A Wider View – Street Photography Series

    A wider view, the view that I often like to find as a street photographer on my rambles through the cities, rare to find, but then I really enjoy it when I found them.

    A calm that you can rarely enjoy alone .. but sometimes there are those moments that I then try to hold on. When I observe people who also enjoy this situation, the moment has come to push the trigger.

    This broad view of urbanity invites me to linger … It also gives me strength, I can escape for a moment the hectic of the city. I am an image collector, do not plan photo projects. I let myself drift, capture things and situations to put them together into one at a later time.

    Also “A WIDER VIEW” was born. These works were created over a period of four years in Linz, Berlin, Vienna, Piran, Monaco, Menton, Gdansk and San Remo. All pictures were taken with a 35mm lens. I work with Leica cameras.

    About Enrico Markus Essl

    Born in Linz (Upper Austria), grown up in Salzburg now back, living and working in Linz. Since my early childhood, I have been interested in photography. I detected street photography for myself and it’s been haunting me until this day. The urban jungle of cities, the people living there, the crucial moments and the endless trips through the streets and places are stirring my desire to capture moments. I work with Leica Cameras.

    You can find Enrico Markus Essl on the Web:

    Website

    Instagram

    © Enrico Markus Essl
    © Enrico Markus Essl
    © Enrico Markus Essl
    © Enrico Markus Essl
    © Enrico Markus Essl
    © Enrico Markus Essl
    © Enrico Markus Essl
    © Enrico Markus Essl
    © Enrico Markus Essl
    © Enrico Markus Essl
  • Giovanni Tisocco

    Giovanni Tisocco

    Unique & Abstract Street Photography by Italian Photographer Giovanni Tisocco

    Giovanni Tisocco, the visionary Italian Photographer, possesses a profound passion for capturing intangible emotions and indulging in a delightful interplay of shapes and colors that enchant the eyes and invigorate the mind.

    His photography is a vibrant expression of self and a powerful medium for communication. Unbound by calculations or excessive retouching, Giovanni’s distinctive style cuts straight to the heart of the matter, encapsulating raw moments and authentic narratives with finesse and authenticity. His work transcends conventional boundaries, leaving a lasting impact by seamlessly blending creativity with genuine human experiences.

    When delving into his photographs, an extraordinary fusion of light, shadows, and contrasts unfolds. Through his lens, the unspoken tales of the streets come alive, woven with a rich tapestry of emotions, vibrant hues, and intriguing shapes.

    Giovanni skillfully crafts a narrative that is not only visually compelling but deeply inspiring, beckoning us to explore the unseen and appreciate the beauty in the ordinary. His work serves as a profound invitation, urging us to join him in this captivating journey of discovering the hidden poetry within the bustling streets, where every emotion, color, and shape tells a story waiting to be heard.

    Vandervell’s work transcends mere documentation, evolving into a symphony of contrasts. The stark juxtaposition of light and dark, order and chaos, creates a dynamic interplay that elevates the mundane to the extraordinary. Through his lens, mundane street corners and architectural elements become visual orchestrations, resonating with a sense of balance and harmony.

    You can find Giovanni Tisocco on the Web:

    Website

    Instagram

    © Giovanni Tisocco
    © Giovanni Tisocco
    © Giovanni Tisocco
    © Giovanni Tisocco
    © Giovanni Tisocco
    © Giovanni Tisocco
    © Giovanni Tisocco
    © Giovanni Tisocco
    © Giovanni Tisocco
    © Enrico Markus Essl
  • Rupert Vandervell

    Rupert Vandervell

    Enchanting Urban Symmetry: Black And White Street Photography By Rupert Vandervell

    Step into the mesmerizing world of Rupert Vandervell’s black and white street photography, where the bustling urban landscape transforms into a captivating realm of enchanting symmetry. With a keen eye for detail and an innate understanding of the play between light and shadows, Vandervell unveils the hidden poetry within city streets.

    In this monochromatic journey, Vandervell skillfully captures the essence of urban life through the lens of symmetry. Each photograph becomes a visual sonnet, weaving together the structured elegance of architectural lines with the spontaneous rhythm of everyday city existence. The absence of color adds a timeless quality to the scenes, allowing viewers to immerse themselves in the purity of form and composition.

    Vandervell’s work transcends mere documentation, evolving into a symphony of contrasts. The stark juxtaposition of light and dark, order and chaos, creates a dynamic interplay that elevates the mundane to the extraordinary. Through his lens, mundane street corners and architectural elements become visual orchestrations, resonating with a sense of balance and harmony.

    © Rupert Vandervell

    Rupert Vanervell Website

    Rupert Vandevell Instagram

    © Rupert Vandervell
    © Rupert Vandervell
    © Rupert Vandervell
    © Rupert Vandervell
    © Rupert Vandervell
    © Rupert Vandervell
    © Rupert Vandervell
    © Rupert Vandervell
    © Rupert Vandervell
    © Rupert Vandervell
  • Kevin Wolf

    Kevin Wolf

    About the Collection

    The people of Istanbul are “infected” by a “state of mind that is as life-affirming as it is -negating”, the Istanbul-born writer Orhan Pamuk once wrote. This is known as „huzun”, a deep melancholy that can be experienced in all corners of the city. That “Istanbul feeling” is the subject of this series. On a photographic stroll along the Bosporus, the viewers discover a metropolis full of contradictions. Standing between the mills of political Islam and Western capitalism, between Asia and Europe, Istanbul has to define itself again and again.

     

    ©Kevin Wolf

    Kevin Wolf Website

    Kevin Wolf Instagram

    The Arrival
    Istiklal Caddesi
    The Gun Game
    Flamingo Seagulls
    Magic Light Mosque
    Eyüp Kids
    The Flight
    The Time Traveller
    The Young Folks of Karakoy
    The Bosphorus Snap
  • Thomas Hackenberg

    Thomas Hackenberg

    About the Collection

    My series is basically about using music as an inspiration for candid street photography and putting music into pictures. In addition to being a street photography aficionado, I fell in love with music at a very early age. I was recently listening to a wonderful pop song sang by NYC-born singer-songwriter Melanie called ‘Beautiful People’ – listen to it if you like! Anyway, I thought this would also be a good title to a street photography series, and interesting to try to translate lines like “You live in the same world as I do”, “You ride the same subway” or “We’ve got so much in common. I go the same direction that you do” into fitting pictures. After all, we all share this world as fellow humans with basically the same fears and needs no matter in which part of the world we live. It gave me the impetus to try to interpret the song with my candid, unposed shots of ordinary people on the street. In compiling my series, I also added some emphasis on style and fashion, something I like a lot when walking the streets and looking for interesting – beautiful – people. I hope you enjoy! The song goes like this, and I have tried to translate it into pictures with my series: Beautiful people You live in the same world as I do But somehow I never noticed You before today I’m ashamed to say Beautiful people We share the same back door And it isn’t right We never met before But then We may never meet again If I weren’t afraid you’d laugh at me I would run and take all your hands And I’d gather everyone together for a day And when we gathered I’ll pass buttons out that say Beautiful people Then you’d never have to be alone ‘Cause there’ll always be someone With the same button on as you Include him in everything you do. Beautiful people You ride the same subway As I do every morning That’s got to tell you something We’ve got so much in common I go the same direction that you do So if you take care of me Maybe I’ll take care of you Beautiful people You look like friends of mine And it’s about time That someone said it here and now I make a vow that some time, somehow I’ll have a meeting Invite everyone you know I’ll pass out buttons to The ones who come to show Beautiful people Never have to be alone, Cause there’ll always be someone With the same button on as you Include him in everything you do He may be sitting right next to you He may be beautiful people too And if you take care of him Maybe I’ll take care of you And if you take care of him Maybe I’ll take care of you…

    ©Thomas Hackenberg

    Thomas Hackenberg Website

    Thomas Hackenberg Instagram

    ©Thomas Hackenberg
    ©Thomas Hackenberg
    ©Thomas Hackenberg
    ©Thomas Hackenberg
    ©Thomas Hackenberg
    ©Thomas Hackenberg
    ©Thomas Hackenberg
    ©Thomas Hackenberg
    ©Thomas Hackenberg
  • Tony Le

    Tony Le

    About the Collection

    I’ve lived most of my life about 40 minutes south of San Francisco, California. I’ve trekked into (what I lovingly call) the city a few times a week for years, and it feels more like home than the suburbs I live in. Still, that distance allows me to avoid becoming desensitized to the frenzy of the city. Whenever I first step foot onto the proper urban street, the energy just feels different. The air of sterility becomes a distant memory. People are out and about in a way that doesn’t happen in the suburbs. That interaction and connection leads to a certain magic that only the city can offer. I’ve witnessed these moments time and again. Sometimes it’s baffling. Other times, it’s preposterous. My favorite is when they’re absurd. In any case, it reminds me of how unpredictable and wondrous the world is. It reminds me that all of history has led up to this very moment. And I’m the opposite of bored.

     

    ©Tony Le

    Tony Le Website

    Tony Le Instagram

    Into the Uknown
    Melting Into Tomorrow
    Metacognition
    Lingering Shadows of Disparity
    The Future of Our Future
    Leather Royalty
    Interdependence
    Furry Playground
    Elevated Momentum
    Falling Out of the Sky
  • Alessandro Lasevoli

    Alessandro Lasevoli

    About the Collection

    In the brisk embrace of New York’s blizzard season, I’m called to the streets, much like a jazz musician is drawn to a piano. Manhattan becomes a stage, and as the city’s denizens, often caught off-guard, wade through blizzards, their dance narrates tales of resilience and spontaneity. With my trusted film Leica as an extension of my vision, I gradually find my rhythm, moving from a hesitant observer to a dynamic participant. I choose film, an ode to the classics, infusing each frame with depth and a timeless palette. The challenges of a slower shutter speed, born from on-camera flash limitations, became my melody, bringing out the fluidity and fervor of winter moments. Every shot isn’t just a capture but a unique lyrical expression of NYC’s winter symphony.

    ©Alessandro Lasevoli

    Alessandro Lasevoli  Website

    Alessandro Lasevoli Instagram

    ©Alessandro Lasevoli
    ©Alessandro Lasevoli
    ©Alessandro Lasevoli
    ©Alessandro Lasevoli
    ©Alessandro Lasevoli
    ©Alessandro Lasevoli
    ©Alessandro Lasevoli
    ©Alessandro Lasevoli
  • Amy Horowitz

    Amy Horowitz

    About the Collection

    There is a freedom in outward expression of any sort but amplified by the year spent indoors hiding from a deadly virus, freedom beginning in the Spring of 2021 took on a distinctive aura: a bold, colorful one. On the surface, there was a vibrancy, a specific mix of joy, defiance, morality, kindness, and a bit of despair, that I like to think is tinged with hope. Underneath the dyed hair and accessories, tatoos, and thigh high boots, stands someone’s son, someone’s daughter, a human with hopes and vulnerabilities. While we’re all trying to find our way in the world, the beauty of these people is in their self-expression. The people here seem to unabashedly bare and present themselves to the world. They tell their truth and what could be more beautiful? What ultimately propels me to ask, “Can I take your portrait?” is a warmth I sense, something soft underneath the shell. Taking these portraits, I get inside, even if only for a short while. Interacting with these individuals, with their persistent youthful energy, I find myself both stimulated and grounded. Perhaps these young people can sense I’m a mother, allowing them ease and comfort when interacting with me. On one occasion, a young person asked me for a band aid, perhaps rightly pegging me as a “nurturer.” Maybe that’s why most comply when I ask for a portrait. I’ve raised three children, now in their late 20’s, in the homogenous New Jersey suburbs. Individuality and diversity were a rarity there and perhaps that’s why I now document those on the cusp of adulthood in New York City, one of the most culturally diverse in the nation. One of the more interesting things I’ve found is how quickly a connection can be formed between two strangers, with the camera’s lens serving as a conduit. So, when I begin shooting, I direct people by saying, “Okay, look in my eyes, and whatever you do, don’t smile.” Oddly, these words seem to put people at ease.

    ©Amy Horowitz

    Amy Horowitz Instagram

    Ben From the Don\’t Smile NYC Project
    Name Unknown From the Don\’t Smile NYC Project
    Leo From the Don\’t Smile NYC Project
    Cassidy & Ava From the Don\’t Smile NYC Project
    Armaan From the Don\’t Smile NYC Project
    Aaron From the Don\’t Smile NYC Project
    Unknown Name From the Don\’t Smile NYC Project
    Tibet From the Don\’t Smile NYC Project
    Name Unknown From the Don\’t Smile NYC Project
    Phoenix From the Don\’t Smile NYC Project
  • Adam Miller

    Adam Miller

    About the Collection

    In the brisk embrace of New York’s blizzard season, I’m called to the streets, much like a jazz musician is drawn to a piano. Manhattan becomes a stage, and as the city’s denizens, often caught off-guard, wade through blizzards, their dance narrates tales of resilience and spontaneity. With my trusted film Leica as an extension of my vision, I gradually find my rhythm, moving from a hesitant observer to a dynamic participant. I choose film, an ode to the classics, infusing each frame with depth and a timeless palette. The challenges of a slower shutter speed, born from on-camera flash limitations, became my melody, bringing out the fluidity and fervor of winter moments. Every shot isn’t just a capture but a unique lyrical expression of NYC’s winter symphony.

    ©Adam Miller

    Adam Miler Website

    Adam Miller Instagram

    ©Adam Miller
    ©Adam Miller
    ©Adam Miller
    ©Adam Miller
    ©Adam Miller
    ©Adam Miller
    ©Adam Miller
    ©Adam Miller
    ©Adam Miller
  • Lu Wenpeng

    Lu Wenpeng

    About the Collection

     

    ©Lu Wenbeng

    Lu Wenpeng Website

    Lu Wenpeng Instagram

    ©Lu Wenpeng
    ©Lu Wenpeng
    ©Lu Wenpeng
    ©Lu Wenpeng
    ©Lu Wenpeng
    ©Lu Wenpeng
    ©Lu Wenpeng
    ©Lu Wenpeng
    ©Lu Wenpeng
  • Dominic Dähncke

    Dominic Dähncke

    About

    He could be sitting next to me at the bar drinking coffee and I wouldn’t know it was him. He could find me on the street and ask me for a specific address, I would answer and I wouldn’t know it was him. Many people in my town know who he is. I do not know. Some have asked me if I want them to find out who he is. My answer is always no. I prefer intrigue. Maybe it’s because of fear, shame or simply that I’m not interested in him. I prefer to play and imagine what he is like, how he would relate to me, how he would talk to me, how he would scold me. The street is the ideal context to meet him. He is the opposite of a vampire: he only goes outside when it is sunny. That’s when we can agree, sit down (1) and talk. What are we talking about? Well, about how difficult it is to reconcile the punishment of the family tree on us (2), about how difficult it is not to lose your head when a hand hits you even if you don’t want to (3) and, in order to appear to be fine, you end up getting the first head you come across (4). We also talked about how even after that punishment, our hair ends up growing out in a ponytail (5). I often tell him how curious it is that I did not intend to follow his path, since I only aspired to have a dog (6) as a pet (that was enough for me), but from one day to the next she appeared in my head (7). Fifteen months after that appearance she is here to teach me that now I am his shadow and that he became a grandfather (8).

    ©Dominic Dähncke

    Dominic Dähncke Website

    Dominic Dähncke Instagram

    ©Dominic Dähncke
    ©Dominic Dähncke
    ©Dominic Dähncke
    ©Dominic Dähncke
    ©Dominic Dähncke
    ©Dominic Dähncke
    ©Dominic Dähncke