Tag: photographers

  • Hersley-Ven Casero

    Hersley-Ven Casero

    Hersley-Ven Casero is a multidisciplinary visual artist, street & documentary photographer born and based in Dumaguete City, Philippines. Growing up in a small rural village in the Visayas region, his passion for photography began during his time in college, where his artistic eye was noticed by LA Times photographer Luis Sinco, and he was sponsored equipment and mentored by him. Upon graduating, Hersley did a stint as an Art & Photography course teacher at Foundation University, and also conducted – along with his mentor, and Magnum photographer Eli Reed – a series of South Pacific Photography Workshops. Now, as a full-time artist, when he’s not in his studio, he is out on the streets with his camera in hand. Over the years, Hersley has developed a reputation in his home city as a prolific and passionate street and documentary photographer, quick to the scene of historical events, and from time-to-time his photographs are featured in local newspapers, as well as national and international publications. His long-term passion project is his ‘Catch a Moment’ street photography series, in which he catches split-second snapshots of elements aligning in humorous and uncanny ways in everyday life.

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    About The Collection

    As I mature as a photographer, and as a person, I find myself becoming increasingly aware of the transience of human beings, particularly in the context of wherever they may be, or whatever they may be doing, at any given time. I am fascinated by the fact that every time I click the shutter in front of a stranger moving and interacting within their environment, I have captured a little piece of the absolute randomness of life, a snapshot of an otherwise unremarkable moment in history, that is timely, comical, tricky to the eye or just plain beautiful. It really is an incredible feeling when suddenly, out from the mundane, the Universe delivers a fleeting and uncanny moment of magic and *click*, it’s not lost forever, but a recorded and tangible piece of art.

  • Vasco Trancoso

    Vasco Trancoso

    Born in Lisbon, Portugal. I became a gastroenterologist and from 1983 lived in the city of Caldas da Rainha in the center of Portugal. However after retirement I resumed my sleeping passion for photography. During 2015/2016, my photographic “voice” has changed and my work has been “in colors” and I started by photographing my hometown (about 30 thousand inhabitants). As a result, a photo book with the name “99” was born (launch at January 2020), with 99 photographs. https://youtu.be/wVzhkovtzuQ  The book includes an Essay by David Gibson and an Afterword by Paulo Abrantes.

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    About The Collection

    I have been fascinated to discover the magic of light in the urban kaleidoscope mainly when fragments of colors emerge between deep shadows. A way of seeing through the primacy of aesthetic choices, geometries and the elaboration of contrasts. The plastic approach, the chromatic composition, the emotions and the graphic impact are decisive. These Photographs are featured in my photo book “99”. Info about the book and ordering at [email protected]. The book deserved some words from Matt Stuart: “What a nice surprise to receive, a beautifully produced photo book, laced with (99) wonderful colorful photographs. A mixture of Cristobal Hara, Alex Webb and Costa Manos all rolled into one! Great work”.

  • Thomas Hackenberg

    Thomas Hackenberg

    It all started with that magic B/W masterpiece by Henri Cartier-Bresson, a photograph which I saw as a photographic beginner in a book in the early 1980s and which accompanied me through my whole life, giving this initial spark to my interest for showing people in the public realm. The black-and-white picture of a small boy, carrying home two huge wine bottles with an expression of pride and joy on his face. When I saw this picture, it struck me like lightning: How on earth could a photographer be there, see and catch such an intimate, candid moment? What he said to be The Decisive Moment. With the equipment available at that time. This was THE picture for me which changed everything, motivating me to go out and try to find great pictures around the next corner, never knowing what awaits me and what life has in store for me. After all, it’s all about curiosity.
    As a teenager, I had a subscription of German GEO magazine, showing, among other things, the pictures taken by the famous German photojournalist Thomas Hoepker at regular intervals. These pictures also had a key influence on me. Although they were published in a documentary and journalistic context, they showed life on the streets of the world – street photography in the truest sense of the word –, whether in the German Democratic Republic of that time, New York, or Beijing. These were pictures which burned themselves into my memory and which I never forgot since then, providing me with internally memorized guardrails for my own photographic passion.
    After a longer break dedicated to my professional career in the language industry, I had more time to spend on photography again about ten years ago and never stopped going out on the streets since then. My biggest influences today comes from names like Martin Parr, Matt Stuart, Nick Turpin, Dougie Wallace, Fred Herzog or Tony Ray-Jones, just to name a few. I also do love the work of the contemporary photographers represented by collectives such as iN-PUBLIC, UP Photographers, OBSERVE, Little Box or The German Street Photography Site.
    What is more, I am a keen collector of photobooks. For me, it is important to explore the work from as many different photographers as possible, seeing and understand their approaches and photographic languages, which helped me to find my own way and decide which of my own photos are good or not so good, something which I still find hard to tell sometimes. Finally, I am a music enthusiast and couldn’t live without it. Music also has a big influence on my photographic language.

    Two of my pictures were Finalists in the 2017 edition of STREETFOTO SAN FRANCISCO and the SIENA INTERNATIONAL PHOTO AWARDS (SIPA) 2020.

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    About  The Collection

    My collection shows typical examples of my photographic work in public places. I see myself as a flaneur, an observer, trying to see things that others might not see, to make something out of nothing, find something special in the ordinary. All of my photos were taken candidly; nothing is staged or manipulated. Technology is not so important for me, after all, it’s the eye that decides and finds the picture. I shoot RAW and apply modest postprocessing. The major part of my photos shows people, which is an important element for me. From time to time, I find a street still-life or try to combine different layers in a minimal composition. I like ordinary street scenes, often waiting until all the elements come together, often revisiting places, often returning home with nothing.

  • Juan Galan

    Juan Galan

    I am a Spanish street and documentary photographer currently based in Bari, Italy. I attended photography classes independently at the Faculty of Fine Arts in Salamanca, as well as film photography at the University of New York, while finishing a degree in psychology. Recently, I started to document the lifestyle of the local people in Southern Italy, with a strong focus on composition, contrast, subjectivity, and people’s expressions.

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    About The Collection

    Eat, Pray, and Love
    There is something about the Mediterranean cultures that has always fascinated me, whether it is Spain, Portugal, Greece, Turkey, or Italy. There is a simplicity in the lifestyle, the enormous cultural diversity in their history, the optimism of their people, the enjoyment of contemplation, the family values and the closeness, the philosophical and humanistic approach of their societies.
    Eat, Pray and Love is the title of a movie, but in southern Italy —in the Puglia region to be precise— seems to be emblematic of its cultural identity. Eat a good plate of local cuisine, Pray on Sundays, and Love surrounded by romantic spots. One might say that the Italians keep this territory a secret because of its authenticity. It ranges from the countryside to the sea, from the sandy beaches of the Ionian Sea to the rugged coast of the Adriatic, where the octopus is enjoyed raw and fresh fish is served without dressing.
    This photo-essay addresses the core values of people from Puglia. It is an approach of their life-style, traditions, social life, neighborhood business, close relationships, etc. A set of values that shake your spirit to make you live passionately and humanly, very distinguish within Mediterranean cultures, where luxury is the simplicity of everyday life.

  • Julia Coddington

    Julia Coddington

    Julia Coddington is a street photographer from Australia.  She is co-founder of the Australian based Unexposed Collective, for women, non binary and intersex street photographers and an administrator of @womeninstreet, a growing international community of women street photographers.  Julia is a member of the Little Box Collective.

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    About The Collection

    Losing myself in a scene and becoming at one with a scene and then the image, gives me a sense of achievement and is the reason I continue to go out and photograph. This collection includes images that have a sense of intimacy and closeness and where I feel I am part of that scene and within the image itself.

  • Rudy Boyer

    Rudy Boyer

    Rudy Boyer

    Rudy Boyer is a 35 year old father of three living in Nice (France).
    He is in charge of a concrete analysis laboratory in the building sector, but since 2013, when he finds the time (he is also a musician!), Rudy photographs the streets of his city and region in a remarkable way and has been polishing his style over the years.
    He uses light and urban geometry to compose complex images which are full of surprises.
    He is self-taught and resolutely unprofessional in his approach to photography.

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    About The collection

    This series is not one, it is rather a collection of images made through time, hours of patience and miles of walking.
    These images bear witness to our time, while trying to keep a touch of humor.
    I’m not trying to get a main idea from these images but only pleasure, pleasure in capturing them but also in showing them.

  • Anthimos Ntagkas

    Anthimos Ntagkas

    Anthimos Ntagkas

    Anthimos Ntagkas was born in Athens in 1979. He graduated from the Military Academy and currently works at the Geographical Agency of the Greek Army.
    His first engagement with arts was in 2013 with his participation at the “Atopic Bodies”, a performance at Atopos CVC.
    He continued with the publication “My Body is my Temple”, a photographic book, in collaboration with Atopos CVC as part of the “Notemple”, an exhibition of the artist HOPE, at the Breeder Gallery.
    Since 2014 Anthimos Ntagkas is experimenting on street photography.
    In 2018 he was asked to exhibit his photographic work at the movie theatre “Andora” where it remained as the main decor of the lobby.
    He then participated at the Corinth Exposed Photography Festival 2019, presenting part of his work as one of the keynote speakers.
    Since then many magazines and web pages have published his work (Bored Panda, Daily Mail, Athens Voice, Lifo, etc.)
    “The photographs that I found most interesting are the ones with juxtaposition.
    The connection between two different themes or even more inside one photo is very intriguing.
    I get influenced by a lot of photographers who relate to this subject of photography, but my main concern is always to do something completely different each and every time.
    Luckily the themes at this type of photography are endless and I never loose interest in photography.”

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  • Ximena Echague

    Ximena Echague

    Ximena Echague

    I grew up in Buenos Aires, became a photographer in Europe, and I am now living between New York and Brussels.
    I have learned a lot in many street and documentary photography workshops over the years. From MAGNUM to IN-PUBLIC, from APF to LEICA AKADEMIE and, more recently, at the International Center of Photography (ICP) in New York.
    Many photographers have influenced my work over years of interaction and, lately, I am inspired by Rohit and Vineet Vohra.
    My work has been exhibited around the world in 17 countries of Europe, America, and Asia, including 4 Individual exhibitions and 40 Collective exhibitions.
    I won the Second Prize at the Brussels Street Photography Festival 2019 and was Finalist at the Miami Street Photography Festival, StreetFoto San Francisco, Italian Street Photo Festival, and Brussels Street Photography Festival several times.
    I am Ambassador and Jury of Women Street Photographers, curated by Gulnara Samoilova, based in New York, and Curator of Latin American Women Photographers (Fotografas Latam) for its international exhibitions.
    I am a member of Little Box Collective, a group of street photographers from all over the world.
    I am also a Curator and Jury of photography exhibitions, and I conduct Photography Workshops and Mentorships, in-person, and online.

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    About The Collection

    My life has influenced the way I look at the people around me.
    I have always lived in big cities like Buenos Aires, Madrid, Brussels and New York, with a large floating population, which naturally led me to empathize with the struggle and challenges of people on the move.
    Living now in New York, I am at the epicentre of this human dynamic. People flock every day to the great city from all over the world, in search of their own dream, showing resilience and courage, overcoming all odds. They need to succeed, failure is not an option.

  • Salvatore Matarazzo

    Salvatore Matarazzo

    Salvatore Matarazzo

    With  street photography, I share the vision I have of my country through the faces of those who live here. My approach is extreme and direct. I get very close, physically, to the people I photograph.
    With the flash I try to highlight that mask of vanity that each of us has built as self-defense.
    However, thanks to moments of vulnerability and the reactions that the camera captures in the faces, the images are seasoned with a touch of dramatic irony, and a grotesque vision of real humanity.
    I’m not a silent photographer outside the scene. I am aware that this ‘hard’ photographic approach has raised some criticism and controversy, and is considered by some to be aggressively abusive, even immoral.
    I think instead it is an honest approach. Photography does not lie, it exposes what can be seen as real. My intention is to find truth, not to be derisive or demeaning.
    This is still an active project, and I do not know how and when it will finish.

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  • Chun Ming Chan

    Chun Ming Chan

    Chun Ming Chan

    I born in Hong Kong in 1958, and has been retired from a career in banking since 2014.
    My first contact with photography was in 1977.
    I have not been very serious on my photography for over 30 years.
    I regain my photography interest from 2009 mainly on birds photography but change to photograph people in street from mid 2014 which now known as “Street Photography”.

    Photography to me is the memory and passion of life.

    All matters in our life will be disappeared in a moment, however, I can retain some of my feelings and express my point of view through the lens.
    I follow my gut instinct and my feelings to record the people and things in street.
    I never ask for permission from the people I took their pictures as it would ruin the natural expression on them.
    Sometimes I find a stage with good light and shadow, I would wait the right people walk through my frame.

    I like street photography as thing happened and people in the street everyday are different and fresh even though in the urban I have been living for over 30 years.
    I took all my pictures mainly in Hong Kong.
    I like to take pictures in Central District as this area full of new and old buildings, local and foreign people, different vehicles, attractive light and shadows in different period of the year.
    A good picture for me no need be artistic or esoteric, however, it should bare with emotion and passion of the photographer.
    I believe that a picture without emotion is dead.
    My favourite subjects are light, shadows and people with attractive expression and gestures.  I considers street photography an activity where I can continue to learn my whole life long.

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