Category: Photographers

  • Tajette O’Halloran

    Tajette O’Halloran

    Tajette O’Halloran

    Tajette (b. 1980)  is a conceptual documentary artist, constructing realities that are based on her personal experiences and through research and collaboration become universal narratives.
    Through her practice Tajette explores the complexities of human connection, the deep seeds of generational trauma and the potential for beauty and intimacy amid adversity in Australia’s suburban landscapes.
    Tajette’s work has been exhibited extensively both nationally and internationally and has been shortlisted for many prestigious awards throughout her young career. She is currently exhibiting her work as a finalist in both the National Portrait Prize and the Olive Cotton Prize and has previously been selected as a winner in the British Journal of photography ‘Portrait of Humanity’ Award, a finalist in the Doug Moran Photographic Prize (2016-2019) and awarded ‘Honourable Mention’ in the William and Winifred Bowness Photography Prize (2016).
    Her work has been featured in several Australian and international art publications both in print and online such as British Journal of Photography (UK) Lens Culture (USA) PH Museum (UK) New York Times (USA) and Modern and Contemporary Art (France).

    About Collection

    ‘In Australia’ is an unveiling of the idle facade of small town suburbia, exposing the complexity and weight of intimate relationships and the meaningful yet destructive threads that hold communities together in these seemingly dormant and futile landscapes. Using constructed realities, Tajette draws on her own adolescence to explore her instinctive connection to home and how these profound formative years have shaped her adult life. The concentrated and complex themes of adolescence are brought to light in secular frames that heave with dark undertones, bleak landscapes and internal burdens that disproportionately weigh on the young subjects featured. The listless nature of a slow paced suburban existence is marked in the stillness of the subjects, anchored in relationships where intimacy is forged through adversity and devotion is blurred with dependency.

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    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
    © Tajette O’Halloran
  • Simone Morelli

    Simone Morelli

    Simone Morelli

    I started taking pictures in 2016, thanks to an analog camera given to me by a gentleman when I lived in Stockholm.
    then since I returned to Rome I started taking some pictures in the streets of Rome or around the world, making this passion an obsession, leading me to walk around the cities every day.
    I have completed some projects such as “In The Bubble” a project that has as its subjects the people who move around the city by bus.
    I managed to enter among the finilasts of Italian “Street Photography Festival” 2021 thanks to another project of mine called “Sale” where I try to bring back images in a suggestive way that evoke the sensations of the seaside that that place gave me, in a country far south of Italy, Calabria
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    © Simone Morelli
    © Simone Morelli
    © Simone Morelli
    © Simone Morelli
    © Simone Morelli
    © Simone Morelli
    © Simone Morelli
    © Simone Morelli
  • Liubomir Skumov

    Liubomir Skumov

    Liubomir Skumov

    Liubomir Skumov is a Bulgarian Street Photographer born and raised in Pomorie, Bulgaria. Growing up in a small town on the Black Sea coast, he has fond of the Arts since he was a kid, painting above all. Later, he graduated from Veliko Tarnovo University with a Bachelor of Fine Arts and high regard for plastic arts.
    His first approach with photography, particularly Street, was a family matter. Skumov’s brother was the first to show him a documentary about the well-known Vivian Meyer. This episode got him caught in the world of photography. Shortly after, he purchased his first digital camera, and his photographic adventure began. During the years, he found himself looking for inspiration while documenting his hometown and the surrounding areas.

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    Bulgaria 2018
    Bulgaria 2018
    Bulgaria 2018
    Bulgaria 2018
    Bulgaria 2020
    Bulgaria 2020
    Bulgaria 2020
    Bulgaria 2020
    Bulgaria 2020
    Bulgaria 2021
    London 2019
    London 2019
    London 2019
    London 2019
    London 2019
    London 2019
    London 2019
    London 2019
    London 2019
    London 2019
  • Jonas Grauel

    Jonas Grauel

    Jonas Grauel

    I‘m a trained sociologist working in a consumer protection organisation in Düsseldorf, Germany. I‘m interested in all the weird phenomena of modern societies‘ consumption – luxury, taste, indulgence, waste, advertising… and the unfortunate consequences for animals, nature and climate and how to relieve them. Also, I‘m a trainer for non-violent communication, a guitarist-singer-songwriter – and of course a street photographer!

     

    Little Wonders only the Open Eye can see

    To me, street photography is pure play. I roam the streets aimlessly and endlessly as we were doing when we were kids… here and there I will detect something interesting – be it an object, animal or a bunch of people. I’ll go closer to inspect the scene, ready to find surreal moments or see connections between things apparently unconnected.
    Among the motives that fascinate me are half-hidden people, extremities popping out of somewhere, tigers, money, advertisements, strong colors, left-behind shoes, graffitis, light and shadow and many more.

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    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    © Jonas Grauel
    A Dark Figure passing by
  • Rafael Barbosa

    Rafael Barbosa

    Rafael Barbosa

    Rafael F. Barbosa Collection: Da Lua Born and raised in Brazil, I came to the US early in 2015 to study English in NYC. I was amazed, it was a dream coming true. every second there felt like a movie scene. That was when photography emerged in my life. In the beginning, it was all a matter of making memories of my unprecedented experience, but as time passed it turned to a lifestyle.
    Although the final result of a good photograph is what amazes people, its process is priceless. the magic is right there: observing it all coming together into your viewfinder. I often find inspiration in photographers’ biographies, movies and other artists’ work, specially music. “Da Lua”(‘of the moon’ in Portuguese), is a body of work dedicate to Pink Floyd, an English rock band from the 60’s. Their philosophical lyrics and instrumentals get me to the zone…to find the unseen, the transcendental…where light, shapes and shadows create everything I see.
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    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
    © Rafael Barbosa
  • Perry Hall

    Perry Hall

    Perry Hall

    My name is Perry Hall, I’m an American self-taught photographer that currently resides in Rome, Italy. Way before I picked up a camera, I was a vagabond street kid and a skateboarder. In 2014, my friend gave me his old Canon AE-1 camera before moving to Rome.
    That’s when I became very intrigued about analog & “street” photography.Since then, I have been naturally documenting my deranged, out-of-the-ordinary, and marvelous encounters on and off the streets. All the while staying true to my roots and perspectives through the viewfinder.
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    New Orleans, Louisiana, 2020 (devil-lived)
    New Orleans, Louisiana, 2020 (devil-lived)
    Rome, Italy, 2020 (When In Rome)
    Maryland, 2019 (devil-lived)
    Rome, Italy, 2021 (When In Rome)
    New Orleans, Louisiana, 2020 (devil-lived)
    New Orleans, Louisiana, 2020 (devil-lived)
    Rome, Italy, 2017 (devil-lived)
    Rome, Italy, 2017 (devil-lived)
    Rome, Italy, 2021 (When In Rome)
    New Orleans, Louisiana, 2020 (devil-lived)
    New Orleans, Louisiana, 2020 (devil-lived)
    Rome, Italy, 2017 (devil-lived)
    Dallas, Texas, 2018 (devil-lived)
    Central Sardegna, 2020 (devil-lived)
    Sassari, Sardegna, 2021(devil-lived)
    New Orleans, Louisiana, 2020 (devil-lived)
    New Orleans, Louisiana, 2020 (devil-lived)
    Rome, Italy, 2021 (When In Rome)
    Rome, Italy, 2017 (devil-lived)
  • Nikita Teryoshin

    Nikita Teryoshin

    Nikita Teryoshin

    Based in Berlin, Nikita Teryoshin (*1986) describes his genres as street, documentary, and everyday horror.
    Teryoshin graduated with his first long-term project Hornless Heritage (2014 – 2019) focused on the matrix-like world of the German dairy cow industry at the university of applied science in Dortmund.
    Between 2016 and 2021, he visited 15 Defence Fairs in 14 countries on 5 continents for insight into the global arms trade for his story, ‘Nothing Personal – the back-office of war’. The project has been exhibited in Strasbourg, France, Biel, and Geneva in Switzerland and won the German VG Bild-Kunst research grant in 2018, PH Museum Grant 2019, Miami Street Photography Festival 2019 first prize in Series, Kolga Tbilisi in 2020 first prize in Documentary and the World Press Photo 2020 first prize in the category Contemporary Issues and has been nominated for the picture of the year.
    His personal projects have been published in VICE, LFI, Le Monde, Vrij Nederland, ZEIT Magazin, GUP Magazine, WIRED, Revue Epic, Internazionale, and Süddeutsche Zeitung Magazin.
    In 2020, he started pupupublishing for small editions of photobooks and zines, with two publications so far: Carte des Vins and Backyard Diaries.

    Nothing personal – The Back Office Of War (2016 – 21)

    Every day on the news we are watching pictures of war and destruction, and the expenditure on armaments is setting new records year after year. Nothing Personal shows the back office of war, which is the complete opposite of a battlefield: an oversized playground for adults with wine, finger food, and shiny weapons. Dead bodies here are mannequins or pixels on screens of a huge number of simulators. Bazookas and machine guns are plugged into flat screens and war action is staged in an artificial environment in front of a tribune full of high-ranked guests, ministers, heads of states, generals, and traders.
    The pictures of this project that is still ongoing have been taken so far at 14 defence exhibitions between 2016 and 2020 in Europe, Africa, Asia, North and South America (Poland, Belarus, South Korea, Germany, France, South Africa, China, United Arab Emirates, USA, Peru, Russia, Vietnam, and India).
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    Photo stand for visitors. DEFEXPO 2020 in Lucknow, India
    A visitor making his “small business” at the DEFEXPO 2020 in Lucknow, India
    An empty cup of coffee between Bombs. DEFEXPO 2020 in Lucknow, India
    Business men and press waiting at a Bus Stop in the Patriot Park during the biggest Arms Fair in Russia. Army 2019, Moscow, Russia
    Opening Ceremony. MILEX 2017 in Minsk, Belarus
    MILEX 2017 in Minsk, Belarus
    Business men on their way inside the stand where usually the conference rooms are, in the foreground a lazer based bomb with gps inside. SITDEF Peru 2019 in Lima
    Stand decoration. Eurosatory Paris 2018, France
    Ground presentation on the red carpet of an anti terror robot. MSPO 2016 Defence Fair in Kielce, Poland
    A business man playing with his smartphone at the stand. SITDEF Peru 2019 in Lima
    A representator of the serbian arms industries watches out on the exponated Bombs at the serbian stand. IDEX 2019, Abu Dhabi, United Arab Emirates
    South Koran Army Air Show. ADEX Seoul 2017
    A businessman locks away a pair of anti-tank grenade launchers at the end of an exhibition day, at the International Defence Exhibition and Conference (IDEX) in Abu Dhabi, United Arab Emirates. IDEX 2019, Abu Dhabi, United Arab Emirates
    A Lieutenant from Lesotho taking pictures of US military Cargo Airplanes exposed at the Fair. AAD (Africa Airspace and Defence) 2018 in Pretoria; South Africa AAD (Africa Airspace and Defence) 2018 in Pretoria, South Africa
    Gun power demonstration. Eurosatory Paris 2018, France
    Two visitors of the biggest Arms Fair in Middle East and one of the biggest in the World, IDEX Abu Dhabi whatching the Airshow from the pier next to the naval exhibition with battle ships. IDEX 2019, Abu Dhabi, United Arab Emirates
  • TC Lin

    TC Lin

    TC Lin

    Over the years I’ve been many things: A shoe inspector in a Chinese factory, a TV news cameraman, and a conscripted soldier in the Taiwanese army. I’ve also published two books and directed a feature film, and I play trumpet in a jug band. My favourite things include walks in interesting places and a good book to read when I stop for lunch. Throughout all of this I also make photographs in an attempt to bring myself and the world into some kind of understanding

  • Daniel Tschitsch

    Daniel Tschitsch

    Daniel Tschitsch

    I came across street photography in 2014 after having tried almost every genre of photography since completing my photography apprenticeship back in 2011.

    Inspired to a large extent by the photographers Bruce Gilden, Vivian Maier, Elliott Erwitt, Alex Webb and others, I’ve been moving through the streets ever since, trying to incorporate a bit of everything into my photos. But the bottom line for me is about the real, decisive moment. Not staged and pure. For me, this form of photography is the opposite of predominantly commissioned photography, where everything usually has to be beautiful and aesthetic.

    I was lucky enough to be part of several exhibitions and I am the Co founder of the “Munichstreetcollective” together with Sebastian Hermann. In addition to street photography, I also do commercial stuff and free shootings with models predominantly on analog film. I was born and grew up in Munich, Germany. I am married and have two children. My main job is as a TV cameraman and photographer.

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    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
    © Daniel Tschitsch
  • Ali Motamedi

    Ali Motamedi

    Ali Motamedi

    When the City Went to Sleep

    It was winter of 2020 when I moved into a new apartment in Manhattan. One month later, news from overseas brought an unknown virus: COVID-19 was spreading everywhere. Soon the stores, restaurants, and museums were closed. The shadows of fear and loneliness were everywhere. The city that never sleeps was finally asleep.

    Weeks passed and I was trapped in a tiny studio apartment in Manhattan. I tracked the number of dead in the news, and I heard that some stores were being looted and some types of food were not available anymore. New York looked like a different city to me. After a few weeks of living in lockdown, an inner force asked me to go out, a curiosity mixed with anxiety. I had more free time to walk in the evening and at night, so I started walking in the streets I used to know for many years. From Grand Central Terminal to park benches in my neighborhood, from a local coffee shop to Central Park and streets nearby, I roamed around and tried to get to know the place where I was living.
    I started the project in March 2020 and continued it until the end of the year. 

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    U.S. flag at half-staff as a remembrance of the people who have died from COVID-19, Central Park, April 11
    The Oyster Bar ramps, Grand Central Terminal, March 31
    38th Street and Tunnel Exit St, March 31
    Someone clapping and chanting for healthcare workers at 7pm, Tudor City Place, April 5
    A health worker waiting at the bus stop, Columbus Circle, June 5
    A discarded Coronavirus glove on the ground, Tudor City Place, April 23 “Love you”, Get Well Soon”: Hand-written signs on construction fence, 41th Street and 1st Avenue, April 6
    Love you”, Get Well Soon”: Hand-written signs on construction fence, 41th Street and 1st Avenue, April 6
    DELICO flower shop not selling flowers until further notice, 41st Street and 2nd Avenue, March 29
    Picolo Angelo restaurant operating with limited seating capacity, West Village, July 15
    Self-portrait, 41th Street and 1st Avenue, July 12
    The Lake, Central Park, April 7
    Sheep Meadow, Central Park, June 10
    42nd Street and 2nd Avenue, March 29
  • Giuseppe Cardoni

    Giuseppe Cardoni

     Giuseppe Cardoni

    Metropolitan Fragments

    The environment is delimited, circumscribed of the subway, with a complete absence of the external landscape that often represents a container of memories.The protagonists are absorbed in their thoughts with their heads bowed or intent on looking with the absent gaze of those who look but do not see, as if they were imprisoned in their inner world. We are almost facing an aquarium in which motionless and / or unconscious fish swim. Loneliness is almost palpable and silence seems to saturate every space of the environment in a metaphysical suspension. People anonymous, unknown, isolated, closed in themselves, unable to communicate, who despite being close to each other almost never interact with each other. The scene is still, extracted from the present and frozen out of time. (Metropolitan Fragments is an ongoing project)

    © Giuseppe Cardoni
    © Giuseppe Cardoni
    © Giuseppe Cardoni
    © Giuseppe Cardoni
    © Giuseppe Cardoni
    © Giuseppe Cardoni
    © Giuseppe Cardoni
    © Giuseppe Cardoni
    © Giuseppe Cardoni
    © Giuseppe Cardoni
  • Mehdi Rouhbakhsh

    Mehdi Rouhbakhsh

    Mehdi Rouhbakhsh

    Birth in 1983, Franco, I grew up in an artistic family. My uncle was a known artist in the field of contemporary painting. I myself after finishing my academic study in the universities of Paris and obtained my master’s degree in International & E-Commerce, jointed to public society more involved to the ordinary life of people around the world.
    Then I have started to capture the scenes and promote the feel of photography art by observing the path of the great photographers like as Cartier Bresson and Sebastiao Salgado and oriented my sense to taking the shot in the street by recording every moment of the ordinary life, basically on the technic of BnW. Knowing the fact that the initiate’s motivation of the photographer is capturing all that is commonly unnoticed, the age of Covid and pandemic for me was the exploring a unique word that it was reflected exactly what was differently attractive in front of my camera.

    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh
    © Mehdi Rouhbakhsh